Summerschool in Istanbul


Neighbourhoods as microcosms: Istanbul for exemple


18th till 31rd of August

Deadline for application: June 9, 2014 


The town of Istanbul

Istanbul is going through many globalizing developments since the last decades and this globalizing process even accelerated these days. The city almost explodes of new construction projects, shopping malls arise from the ground at rapid pace, buildings being built or renovated in the historic center, high rise office and residential buildings (social mass housing and gated communities) at the borders of town. Large billboards announce ‘shopping fest’ and the opening of many commercial chain companies.

Therefore it is very interesting to see, how, in the current globalizing urban developments, politics and social changes, all the different layers of pasts of Istanbul are considered and dealt with nowadays by various individuals, groups and authorities, leading to a kind of gentrification of the place.


Current urban developments in Istanbul

The emergence of new service sectors, including tourism, culture, and real estate development is part of this economic change, in direct relation with the emergence of a new urban elite (higher middle class) looking for ‘nice’ and ‘safe’ places to live. This causes a movement of higher income groups to low income neighbourhoods in the historical centre of Istanbul-gentrification, changing the social composition and the physical environments also. In this way a gentrification process generally continues until the ‘original’ inhabitants are displaced. Most of these neighbourhoods were populated by Greeks, Armenians and Jews until the 1950’s and 1960’s after which migrants from Anatolia started to move in.


Summershool project

In the ECAV summerschool project we will be guests of a local artist collective. We will try to observe some of these phenomena’s within our neighbourhood. One main question will be focused:

● How do real or imagined pasts contribute to the creation, recreation and maintenance of identity, ‘sense of belonging’, social cohesion and segregation of different groups in the neighbourhood nowadays and are the different ways in which heritage is considered influenced by the gentrification process currently going on, and vice versa?

We will acquaintance local artists and artist initiatives in the neighbourhood like BAS, Caravanserail, SALT among other and have the opportunity to dive in a local artist scene by conferences of guests studio visits.



In the ECAV summer school project in general, different methodologies are used for each individual research within the project. Overall, however, the project intends to use oral history in combination with primary sources from archives, secondary literature, images and photographs.

Oral history implies the collection and study of historical information about individuals, families, important events, or everyday life using unwritten stories and memories of people, mainly through interviews (individuals, groups, families). In an oral history approach, memories and perceptions of different pasts are documented, as experienced by interviewed people themselves or passed on to them by earlier generations.  Through oral history research not only views on the very recent but also some light on a more distant past can be shed. In this way oral history contributes to a more complete understanding of different and sometimes contesting views on tangible and intangible pasts. Additionally secondary literature is used to support the data from the interviews.



Founded in 1948 the Ecole Cantonale d’Art du Valais has been affiliated since 2008 with the HES-SO. Its location, in the heart of the Valais Alps above the town of Sierre, has helped it to forge a strong identity. Switzerland’s linguistic and cultural differences are well-represented among the students and teachers and the legendary hospitality of Valais is a strong influence, as it regularly welcomes numerous foreign students who come to study here.

Over the years, its excentric alpine location has become one of its central research and investigation themes. This artistic and creative reflection evolves within its own special atmosphere and defies most customary approaches.




Nihan Somahy, Istanbul, artist, MAPS ECAV 2014 (diploma) and her artist collective

Banu Cenetoglu, BAS Istanbul (artist run space for artist publication, Karaköy, Istanbul Asli Cetinkaya, free lance curator, Kadaköy, Istanbul (Asian side)

SALT Galata/SALT Istiklal.
Magazine ICE: Istanbul Contemporary




We are staying in groups apartments and small hostels.



Application: 20th of June

  • -  Send portfolio of your art work (5-10 examples of your art projects 2014–2010)

  • -  Curriculum vitae

  • -  Project idea for Istanbul (1500 signs)

    Further Application process

  • -  Confirmation of being accepted by ECAV till 20th of June 2014

  • -  Confirmation of 1st rate paid till 30rd of June 2014

  • -  Confirmation of 2nd rate paid till 31st of July 2014


  • -  1st rate of CHF 800.- (USD 950.-/650.- Euro) till 30rd of June 2014

  • -  2nd rate of CHF 700.- (USD 825.-/570.- Euro) till 31st of July 2014

  • -  to the account of ECAV, Ecole cantonale d’Art du Valais, Rue Bonne Eau 16, 3960 Sierre

    Banque Cantonale du Valais

    IBAN : CH92 0076 5000 L018 3871 0 / SWIFT/BIC : BCVSCH2LXXX 






Ecole cantonale d’art du Valais

Rue Bonne-Eau 16

3960 Sierre